项目名称：康桥.知园 销售体验中心

Project Name: Kangqiao · Knowing Garden Sales Center

设计团队：筑详设计机构

Design Team: : Zhengzhou Zhuxiang Architectural Decoration Design Co., Ltd

项目面积：1800平方米

Project Area: 1800㎡

设计主案：刘丽 孟祥凯

Chief Designers: Liu Li, Meng Xiangkai

参与设计: 宁静 闵华 唐真

Design Assistants: Ning Jing, Min Hua, Tang Zhen

设计时间：2016年02月

Design Time: Feb 2016

开放时间：2016年10月

Open Time: Oct 2016

主要材料：绢布印染、米灰色壁布、拉丝古铜金属板、染色秋香木、（白、灰）岗石、竹林

Main Materials: silk fabric, griege wall hangings, brushed bronze plate, dyeing wood with bronze mist, (white, gray) granite, bamboo.

摄    影：如初摄影工作室

Photographer: Ruchu Photography Studio

文    案：刘丽

Copy writer: Liu Li

设计关键词  

Key Words

文人情怀/贵族书局/淡泊/清雅/写意/自然

Sentiment of literati/noble books center/simple/elegant/freehand/natural

重构书礼

Reconstruction of cultural etiquettes

知心、知己、知行

Knowing what to think, to want and to do

 ---知心者明己之，知己者善行之，知是行的主意，行是知的工夫；知是行之始，行是知之成，二者互为表里，不可分离，言行一致，表里一致，方为知行合一。

---Those who know what to think know themselves; those who know what to want do good deed. Knowing is a premise for doing, doing is a way to achieve knowing; knowing is a beginning of doing, doing is the result of knowing, the two support each other, unable to be separated, do what you say, be what you profess to be, knowledge and action are one

项目以三知书局为功能设定核心，开发商计划把书局设定到所有的住宅项目内，知园项目作为首期的社区配套的尝试，在书局的一楼嵌入知园销售体验中心，让客户提前感受阅读与未来生活的连接，体悟墨香人文赋予生活日常的诗意美好。

    The project bases itself on three knowing books center as key function, which is designed in all residences by the house provider. As the first attempt to support communities, the project has the knowing garden sales center set on the first floor of the books center, where owners could feel the connection between reading and coming life, experiencing the poetic comfort granted by books and culture in daily life

   书香的记忆藏在每个人的心灵深处，设计师通过当下的构筑方式唤醒客群对诗书礼仪的情感共鸣，与空间的氛围建立一个全新的互动关系。

   Memories of books are hidden in the heart of everyone, relying on the current structural styles, designers arose the emotional resonances of owners to books and etiquettes, forming a brand new interaction with spaces.

   拆分的笔画、毛笔、古典典籍、水墨画卷等都被重构在各自融洽的空间当中，自动链接客群个人情感记忆里曾经的感动，因设计重构的全新载体，又让记忆里情感与未来的向往链接。刻意净化留白的地面与墙面让所有指向都引导到人对空间的感知与互动之上，行为及精神情感的关照是设计的本质，入口门厅高踢脚及木质吊顶试图营造皇家书院的雅致清幽，整体通过书架划分出不同空间与功能分区。展示道具的底座，摆放书的书台，全部采用书籍搭建，其他材质被刻意隐藏及节制至单一的虚空，目的就是突出以书而引发的文人情怀，古代文人雅士的生活状态是当代的我们渴望与与终极向往目标。二楼的除了有很多专业的藏书之外，功能又设定出可灵活多变各种互动场所，可满足各种文化雅集及活动互动。年龄跨度包含家里所有成员，从儿童专区，到中老年书画，再到配合咖啡及软饮的年轻人的阅读专区，研究客群未来在书局内所有需设计关照的细节，从一楼至二楼对每一个设计环节进行细致的梳理，落实到各个空间具体的造型细节当中，通过空间的体验于感触，诱发客群对美好生活的渴望。

Broken strokes, writing brush, classics and wash painting all are restructured in harmonious spaces, which automatically arose the moves hidden in memories of owners, for the brand new carrier for restructuring, the emotions in memories are led to the future. Purified blanks left on purpose on the floor and walls both lead all to the perception and interaction to spaces, the cares of behaviors and spiritual emotion are nature of design. The high baseboards at the entrance to hall and wooden ceilings are to create an elegance and quietness like royal academies, and book shelves are adopted to form different spaces and functional areas. Bases for prop display and book tables both are designed with books, and other materials are hidden on purpose and controlled to single vacancy, which aims to trigger sentiment of literati through books, and the living styles of ancient scholars are what we yearn for and an ultimate goal. In additional professional works on the second floor, it is designed with diverse places for interaction where all kinds of cultural parties and activities can be held. The age scope covers all family members from children area to calligraphy and paintings of the aged, then to coffee till the reading area for young people; Study all details to be cared in the books center, from the first floor to the second one, each detail designed is processed carefully and then executed in specific spaces, relying the space experience and feeling, owners are induced to a thirst of good life.